Ebook The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield
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The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield
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From Publishers Weekly
A cross between Tony Horwitz's Confederates in the Attic and James M. Lindgren's Preserving Historic New England, this volume delightfully investigates Americans' penchant for fixing up old stuff. New Hampshire journalist Mansfield (Skylark: The Life, Lies, and Inventions of Harry Atwood) introduces readers to engineers who spend their spare time trying to replicate the Wright brothers' original plane; to devotees of historic Deerfield (a colonial village come to life in Massachusetts); and to the tourists who visit places such as the Shaker Village in his hometown of Hancock, N.H., and Graceland. He eavesdrops on gravestone restorers musing about 17th-century slate headstones and provides tips for preserving photographs and furniture. (Don't place nectar-dripping flowers in a vase you want to last; blot--don't rub--at alcohol spilled on furniture; don't drag furniture if you care either about the chair or your floorboards). Similarly, Mansfield investigates the meaning of Old Home Day orations and auctioneers' rhythmic cadences and provocatively contrasts New England villages--of yesterday and today--with gated communities in the suburbs. Our fixation with restoration, he concludes, has meaning beyond the idle fascination of rich folks with nothing better to do than fix up old trunks and sleigh beds. Rather, as his subtitle suggests, we find renewal in our reclaiming of objects from the past. "The best restorations," writes Mansfield, "are truly restorative." Reading this book is equally so. (May) Copyright 2000 Reed Business Information, Inc.
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From Library Journal
This meditation, which explores the nature of memory, history, and restoration, carries forward Mansfield's thesis from In Memory's House (1993) that a defining New England characteristic is the conviction that we choose our past. The title refers to a farmer who respects an ax so much that he replaces both blade and handle twice. Thus, the axe is both the same and totally different, the conclusion being that rebuilding an object accurately uncovers its essence. Through richly layered essays, Mansfield argues that only through living with the past can we keep it alive. Otherwise, as rootless beings we will inhabit a sterile, disposable world. The author parades before the reader numerous people and the things they have preserved, from a builder reassembling historic homes to a farmer preserving land for future generations. This beautiful, haunting work about people laboring to keep history's spring flowing is highly recommended for collections dealing with restoration and related issues.-Nigel Tappin, Dwight, Ont. Copyright 2000 Reed Business Information, Inc.
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Product details
Hardcover: 304 pages
Publisher: UPNE; First Edition edition (March 1, 2000)
Language: English
ISBN-10: 1584650281
ISBN-13: 978-1584650287
Product Dimensions:
6.5 x 1.2 x 9.5 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#983,885 in Books (See Top 100 in Books)
In remaking an ax, in restoring a house, we carry the fire of the original spirit. We commit anew, plant, put our hands to touch the work of a craftsman hundreds of years gone, and then once again feeling that work, pick it up again. And therein lie renewal and hope." --from The Same Ax, Twice.Moving easily between meditative reflection and compelling insights, Howard Mansfield offers lively descriptions of some of the extraordinary people who are imaginatively, lovingly, sometimes obsessively, realizing their own visions of the restorative impulse.Mansfield immerses himself deeply in the search for restoration. He travels with Civil War reenactors to help recreate the Battle of Antietam; he enrolls in auctioneer school to observe the endless recycling of artifacts, and he compares the process to the sterile preservation of these same objects in displays and museums; he observes the ongoing work of preserving the USS Constitution, "Old Ironsides," a ship which has been replaced over the years board by board.The act of restoration, Mansfield concludes, whether it's rebuilding antique engines or reviving the village model of community organization, must contain an element of renewal. Rejecting the sentimentality of nostalgia and the superficiality of commercial images, Mansfield argues for an understanding of restoration that is as much concerned with the future as it is with the past, that preserves and communicates a spirit as well as a form."The Same Ax, Twice is filled with insight and eloquence... a memorable, readable, brilliant book on an important subject. It is a book filled with quotable wisdom,"said The New York Times Book Review."The Same Ax, Twice is one of those quiet books that foments revolution," said William Morgan in Boston Architecture. "Howard Mansfield has just the right combination of erudition and humor to challenge conventionally held ideas about historic preservation. Like In the Memory House, his wise 1993 exploration of the New Englander's defining relationship with the past, The Same Ax, Twice ought to be on your bookshelf along with Wendell Berry and Noel Perrin.""I know I will never think about any part of the past--including my own--in quite the same way ever again. Mansfield just blew me away with this truly remarkable, engaging and yes, inspirational piece of work," said Judson D. Hale, Sr., publisher of Yankee Magazine." `The best restorations,' writes Mansfield, `are truly restorative.' Reading this book is equally so," said Publishers Weekly.
Great book at at a great price. Wanted to order 3 but the link was difficult to navigate and I only was billed for 1 and only received 1.
*A powerful book with a unique perspective on the following: --What we can learn from the past --The fragile finite nature of physical objects and the material world --How to breathe life into a restoration and learn from it, as opposed to shellaking it over with a polished artificial veneer --That the work of restoration is as much about the action of restoring as about the finished product --That the work of restoration is never done*Personal essays and interviews rather than a how-to-manual*Poetic and thoughtful*SPECIAL NOTE FOR PEOPLE WITH SEVERE CLUTTER/HOARDING problems*Please note that for people with a hoarding/severe clutter problem, this will be a hard book to read, because it definitely hammers home the fact of "dust to dust".You will find a new name for yourself however: a "Noah"! In fact one of the chapters is called "An Arkload of Noahs."And you might even find for yourself a paradigm 180 degree shift in the way you view the objects you are trying to save. The lesson here may be to save less, so that you conserve your energy to try to protect the objects you love the most. Also to realize that the act of preserving should be one of life-giving affirmation for YOURSELF in theprocess. It's what you learn and pass on that matters, more than the actual objects.*Most interesting fact from the book:(p. 5) "We have our own shrine,...the U.S.S. Constitution, Old Ironsides, the oldest commissioned warship afloat in the world.....The ship has survived some close calls with oblivion....Saving a wooden ship is a job that's never finished. The Constitution has been rebuilt and repaired in 1833, 1858, 1871077, 1906, 1927-30, 1953, 1963-65, 1973-75, and the most recent and most extensive...1992-96. ANYWHERE FROM 10 TO 20 PERCENT OF OLD IRONSIDES IS ORIGINAL." (The rest has been replaced over the years through restoration.)*Here are some favorite quotes from the book:(pp. 270-271) "Noah gathered two of all that lived, following some of the most specific instructions in the bible. We aren't always so carefully guided. Voices, visions, burning bushes are given only to a few....All Noahs are like Sadie Huntoon. They pull from the wreck we have made of the world what they can, and time will judge its value."(p.274) "We must let go of some things--some beloved things--to allow the birth of the new, which at times will be shocking and awkward."(p. 58) "An earthquake in 1997 destroyed important frescoes in the 13th-century Basilica of St. Francis of Assisi, the ceiling came down in thousands of pieces....One Franciscan nun said: Sometimes thingsneed to be destroyed so they can be renewed."(p. 58) "All materials are fugitive. Things fade, dry out, crizzle and craze. Glass is a liquid. Mountains are borne to the sea. Life is fugitive."(p. 275) "Nothing is ever (permanently) saved. ...Restoration is a legacy. The job isn't finished; it is handed off to the next generation of caretakers."(p. 53) "To the keeper of a historic house, the earth is a science-fiction horror film. Life-giving water rots roofs and dissolves stone; benign sunshine reduces silk curtains to rags, bleaches wood, and cracks leather.....The curators are condemned to live on a planet where the fingertips of earthlings leave behind acid that tarnishes silver, where bronze and pewter are prone to 'diseases,' and dust can defeat a suit of medieval armor.Life is a fire. Sunlight, air, and water sustain us and destroy us. Life consumes all we wish to save."(pp. 55-57) "The curators' task is impossible: preserve all this stuff FOREVER. They are in a pitched battle with the elements.....Says Pam Hatchfield, an objects conservator at the museum. At best, you can extend the life with low humidity. 'You have to assume that objects you're using are disposable,' she says. 'No matter how much you love them.'"(pp. 57-58 )"The philosophers call it EVANESCENCE, the passing from one state to the next. Under the right conditions, ice evanescences to vapor....Evanescence is a wonderful phrase, but when I pry back a board on our old house and reach in, and the beam comes out in moist handfuls like devil's food cake, it's not evanescence, it's rot....Everythingcreated will rot eventually: the Mona Lisa, the Brooklyn Bridge....The world works to recycle itself.....Without rot, life itself is impossible. Rot probably deserves a better name....Most of life is....maintenance."(p. 276) "Ours in an age of broken connections...Restoration is renewal--and effort to mend the world--or it is not worth doing. Good restoration is a prayer, an offering. It's praise, attention paid; it revels in the glory and spirit of this life."
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