Download , by A.R. Winters

Download , by A.R. Winters

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, by A.R. Winters

Download , by A.R. Winters

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File Size: 3322 KB

Print Length: 246 pages

Publication Date: March 14, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07BBCWDZ4

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Amazon Best Sellers Rank:

#6,399 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a well-written story and I really enjoyed it. And I'll continue reading the other two books in the series. BUT ... this author has got to get a proofreader!! I've honestly never read a book with so many typos in it. And I'm not talking about misplaced commas; I'm talking about having the wrong character speaking, entire words left out, misspelled words, etc. It was very distracting and it pulled me out of the book every time I stumbled over another one. It's as if this author and her publisher work on such a tight budget that she writes the book and then a few books get printed up by a second-rate printer and sent out for purchase without anyone bothering to look it over first. Anyway, she's a good writer but the physical book itself is really amateur and poorly published. And a real distraction from a great story line and good sense of humor.

To my surprise this book is advertised as laugh out loud funny. I struggled through the first quarter of it,but have not been able to laugh at all. It is pitiful, a woman who cannot cook, arrives at the restaurant of a family member, signs some papers, and is now the owner. Things like that. If that is what you like, this book is for you. I have a bunch of hopefully better ones waiting. A dollar wasted.

I like most of AR Winters' books. It is an easy read, that I finished in a few hours. The story began quite nicely, and was interesting. The characters were nicely introduced, and I came to like the main character. The reason for the 4 stars is that the book seemed to abruptly end. It went from looking for the murderer and having no clue whom it is, to the end of the book in what felt like a few pages. It left me feeling a little disappointed, and the ending felt a bit rushed.

I should have known better. A much too unrealistic, fabricated plot. The first couple of pages (the ones the preview shows) looked a lot better than the rest of the book. Didn't finish it but got into it enough to feel comfortable giving feedback.

What a fun read. Kylie is newly divorced and finds herself living in her ex's hometown. The fun theme that runs through the whole book is her extreme lack of culinary skill after purchasing a cafe from her cousin. In the midst of trying to find her place in the world again, she meets a great group of people who become new friends. This was a nice mix of laugh out loud funny and snooping to find a murderer. Hope this series continues for a long time.

Well.. I was very disappointed . Expecting humor...only found many typo errors. Will not read any other of author's book. Unrealistic and just plain stupid. Wasted my fixed income money on nonentertainment. Bellylaughs???????

Kylie took her ex husband Mercedes for the trip to Kentucky, if he found out, there would be a warrant.A cousin invited her to come and work in the café, a second chance with new beginnings. She arrives to find her cousins is selling the cafe to her, while she goes to Seattle. Problem #1 Kylie can’t cook #2 cook quits the first day. #3 new woman she hired made killer brownies, which was murder. Staff stayed with her and help her solved. As for the new chef it was to be Kylie with her Ops board. It was funny, had a good plot and a murder to solve.

A. R. Winters does an awesome job with this character. I myself an not a great cook, but she makes me feel like Julie Childs with some of the failures she ends up with in the kitchen. Her friends and side kicks have her back and I can't wait to read more from this series. I'm a finicky reader and all I can say is please don't stop writing on this character.

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Ebook , by Florence Sakade

Ebook , by Florence Sakade

Additionally, when you have the analysis behavior, it will certainly lead you to keep and also go forward for much better problem. A book as one of the home windows to reach much better world can be achieved by situating the knowledge. Even you have no ideas concerning the book previously, you can comprehend increasingly more after starting from the initial page. So, exactly what do you think about , By Florence Sakade that you can take it to read from now?

, by Florence Sakade

Ebook , by Florence Sakade

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Product details

File Size: 5007 KB

Print Length: 112 pages

Publisher: Tuttle Publishing; 3rd edition (November 27, 2012)

Publication Date: November 27, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00AHEZSI8

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Amazon Best Sellers Rank:

#517,960 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

First printed the early 1950's, this is the 51st printing of the book. It contains ten classics from the first printing 50 years ago, and ten newer stories. Stories include (1) Momotaro the Peach Boy, a boy who is found in a peach by a childless couple, who goes off to fight ogres with his animal friends when he reaches his teens; (2) The Magic Tea Kettle about the badger who is mistaken for a kettle; and (3) Silly Saburo, the hilarious and entertaining story about a boy and his misadventures, all becuase he does exactly what he is told. Also among the twenty are (4) The Crab and the Monkey, about a plotting monket and his hapless friend, a crab, and a riceball and persimmon seed; and (5) Why The Jellyfish Has No Bones, about a jellyfish and an evil octopus.

Good sampling of Japanese folk tales, but:1) some stories have disturbing/weird details that I omitted for my 5-year-old daughter. Old woman cutting off a sparrow’s tongue?.. A bunny rabbit who wants to jump into the caldron to boil itself alive as a present to a guest? A puppy being killed by a neighbor, and a gift tree growing over its corpse? As they say “it’s unclear what they audience is”. Don’t get me wrong: I like spooky and macabre stuff myself, but I was planning to read this to a little kid. Having said that, this happens only in a few stories. Most of the rest are fine.2) the drawings are not really good and not really made in an East Asian style. They are mostly in “7th grader learns to draw” style, which can be endearing in and of itself, but not necessarily in this literary setting.3) some of the names were clearly mistranslated. I don’t know Japanese, but it was obvious that some names which were supposed to be poetic were clunky in translation.Overall, it’s a nice book though. My daughter liked it, when I augmented some of the stories and omitted some of the creepier ones.

Being half Japanese, these stories remind me of my mom ... Just be aware that the Japanese like to teach their children lessons and some of the stories do not have the “happily ever after” endings we are used to in the United States. I purchased 2 of these that I gave to adults in Japan studying English. They had familiar stories written in English and they loved it. Sweet illustrations also.

This is a book from my childhood. I was sopleased that they had this available. You'll enjoyit if you like tales of Japanese folklore. The Rabbitin the Moon is a good example. I grew upbelieving in this tale and to this day, still look forthe Rabbit in in the Moon!

Stories from my childhood. I couldn't believe I found this book almost exactly as mine from 50 years ago. Given as a gift and the recipient loved it.

I grew up with all of these stories and it's a treat to share them with my kids. While some of the stories or content are a bit dated or slightly difficult to relate to (given the translation from japanese to english), it's still super cool.

One of my wife's favorite books as a child it has brought back great memories through a series of teaching stories.

This book is very special to me as it was a dear part of my childhood growing up in a Japanese American household in the early 1960s. When I was about three years old, one of my "uncles" gave this book to me with a pink hardcover and it has stayed dear to my heart since. I was quite delighted to see it still in print and being offered here on Amazon. What's even more amazing, is that from what I can tell by the image previews for this newest edition, the illustrations are the very same ones as my forty-some-odd year old book. This collection of stories would be similar to a Japanese Grimm's Fairy Tales and were also part of my father's childhood in 1920s Japan. Overall, they are quite simple and to the point and have a cuteness typical of Japanese stories. In recent years, my ex-girlfriend had enjoyed listening to me tell her these stories at bedtime even from my 40 year memory. I'm sure I've mangled some of them and combined them into a hybrid monkey, ogre, old man, cookie tale. I've been meaning to find my original copy, but now I know I can relive my childhood with a fresh new copy.

Aaaah, great book...brings back memories of all the Japanese fables I read as a child. Bought this for my granddaughter. She loves it. The book has colorful pictures and great stories. Not a board book, so keep them away from unsupervised prying little hands.

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Ebook The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield

Ebook The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield

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The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield

Ebook The Same Ax, Twice: Restoration and Renewal in a Throwaway Age, by Howard Mansfield

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From Publishers Weekly

A cross between Tony Horwitz's Confederates in the Attic and James M. Lindgren's Preserving Historic New England, this volume delightfully investigates Americans' penchant for fixing up old stuff. New Hampshire journalist Mansfield (Skylark: The Life, Lies, and Inventions of Harry Atwood) introduces readers to engineers who spend their spare time trying to replicate the Wright brothers' original plane; to devotees of historic Deerfield (a colonial village come to life in Massachusetts); and to the tourists who visit places such as the Shaker Village in his hometown of Hancock, N.H., and Graceland. He eavesdrops on gravestone restorers musing about 17th-century slate headstones and provides tips for preserving photographs and furniture. (Don't place nectar-dripping flowers in a vase you want to last; blot--don't rub--at alcohol spilled on furniture; don't drag furniture if you care either about the chair or your floorboards). Similarly, Mansfield investigates the meaning of Old Home Day orations and auctioneers' rhythmic cadences and provocatively contrasts New England villages--of yesterday and today--with gated communities in the suburbs. Our fixation with restoration, he concludes, has meaning beyond the idle fascination of rich folks with nothing better to do than fix up old trunks and sleigh beds. Rather, as his subtitle suggests, we find renewal in our reclaiming of objects from the past. "The best restorations," writes Mansfield, "are truly restorative." Reading this book is equally so. (May) Copyright 2000 Reed Business Information, Inc.

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From Library Journal

This meditation, which explores the nature of memory, history, and restoration, carries forward Mansfield's thesis from In Memory's House (1993) that a defining New England characteristic is the conviction that we choose our past. The title refers to a farmer who respects an ax so much that he replaces both blade and handle twice. Thus, the axe is both the same and totally different, the conclusion being that rebuilding an object accurately uncovers its essence. Through richly layered essays, Mansfield argues that only through living with the past can we keep it alive. Otherwise, as rootless beings we will inhabit a sterile, disposable world. The author parades before the reader numerous people and the things they have preserved, from a builder reassembling historic homes to a farmer preserving land for future generations. This beautiful, haunting work about people laboring to keep history's spring flowing is highly recommended for collections dealing with restoration and related issues.-Nigel Tappin, Dwight, Ont. Copyright 2000 Reed Business Information, Inc.

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Product details

Hardcover: 304 pages

Publisher: UPNE; First Edition edition (March 1, 2000)

Language: English

ISBN-10: 1584650281

ISBN-13: 978-1584650287

Product Dimensions:

6.5 x 1.2 x 9.5 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#983,885 in Books (See Top 100 in Books)

In remaking an ax, in restoring a house, we carry the fire of the original spirit. We commit anew, plant, put our hands to touch the work of a craftsman hundreds of years gone, and then once again feeling that work, pick it up again. And therein lie renewal and hope." --from The Same Ax, Twice.Moving easily between meditative reflection and compelling insights, Howard Mansfield offers lively descriptions of some of the extraordinary people who are imaginatively, lovingly, sometimes obsessively, realizing their own visions of the restorative impulse.Mansfield immerses himself deeply in the search for restoration. He travels with Civil War reenactors to help recreate the Battle of Antietam; he enrolls in auctioneer school to observe the endless recycling of artifacts, and he compares the process to the sterile preservation of these same objects in displays and museums; he observes the ongoing work of preserving the USS Constitution, "Old Ironsides," a ship which has been replaced over the years board by board.The act of restoration, Mansfield concludes, whether it's rebuilding antique engines or reviving the village model of community organization, must contain an element of renewal. Rejecting the sentimentality of nostalgia and the superficiality of commercial images, Mansfield argues for an understanding of restoration that is as much concerned with the future as it is with the past, that preserves and communicates a spirit as well as a form."The Same Ax, Twice is filled with insight and eloquence... a memorable, readable, brilliant book on an important subject. It is a book filled with quotable wisdom,"said The New York Times Book Review."The Same Ax, Twice is one of those quiet books that foments revolution," said William Morgan in Boston Architecture. "Howard Mansfield has just the right combination of erudition and humor to challenge conventionally held ideas about historic preservation. Like In the Memory House, his wise 1993 exploration of the New Englander's defining relationship with the past, The Same Ax, Twice ought to be on your bookshelf along with Wendell Berry and Noel Perrin.""I know I will never think about any part of the past--including my own--in quite the same way ever again. Mansfield just blew me away with this truly remarkable, engaging and yes, inspirational piece of work," said Judson D. Hale, Sr., publisher of Yankee Magazine." `The best restorations,' writes Mansfield, `are truly restorative.' Reading this book is equally so," said Publishers Weekly.

Great book at at a great price. Wanted to order 3 but the link was difficult to navigate and I only was billed for 1 and only received 1.

*A powerful book with a unique perspective on the following: --What we can learn from the past --The fragile finite nature of physical objects and the material world --How to breathe life into a restoration and learn from it, as opposed to shellaking it over with a polished artificial veneer --That the work of restoration is as much about the action of restoring as about the finished product --That the work of restoration is never done*Personal essays and interviews rather than a how-to-manual*Poetic and thoughtful*SPECIAL NOTE FOR PEOPLE WITH SEVERE CLUTTER/HOARDING problems*Please note that for people with a hoarding/severe clutter problem, this will be a hard book to read, because it definitely hammers home the fact of "dust to dust".You will find a new name for yourself however: a "Noah"! In fact one of the chapters is called "An Arkload of Noahs."And you might even find for yourself a paradigm 180 degree shift in the way you view the objects you are trying to save. The lesson here may be to save less, so that you conserve your energy to try to protect the objects you love the most. Also to realize that the act of preserving should be one of life-giving affirmation for YOURSELF in theprocess. It's what you learn and pass on that matters, more than the actual objects.*Most interesting fact from the book:(p. 5) "We have our own shrine,...the U.S.S. Constitution, Old Ironsides, the oldest commissioned warship afloat in the world.....The ship has survived some close calls with oblivion....Saving a wooden ship is a job that's never finished. The Constitution has been rebuilt and repaired in 1833, 1858, 1871077, 1906, 1927-30, 1953, 1963-65, 1973-75, and the most recent and most extensive...1992-96. ANYWHERE FROM 10 TO 20 PERCENT OF OLD IRONSIDES IS ORIGINAL." (The rest has been replaced over the years through restoration.)*Here are some favorite quotes from the book:(pp. 270-271) "Noah gathered two of all that lived, following some of the most specific instructions in the bible. We aren't always so carefully guided. Voices, visions, burning bushes are given only to a few....All Noahs are like Sadie Huntoon. They pull from the wreck we have made of the world what they can, and time will judge its value."(p.274) "We must let go of some things--some beloved things--to allow the birth of the new, which at times will be shocking and awkward."(p. 58) "An earthquake in 1997 destroyed important frescoes in the 13th-century Basilica of St. Francis of Assisi, the ceiling came down in thousands of pieces....One Franciscan nun said: Sometimes thingsneed to be destroyed so they can be renewed."(p. 58) "All materials are fugitive. Things fade, dry out, crizzle and craze. Glass is a liquid. Mountains are borne to the sea. Life is fugitive."(p. 275) "Nothing is ever (permanently) saved. ...Restoration is a legacy. The job isn't finished; it is handed off to the next generation of caretakers."(p. 53) "To the keeper of a historic house, the earth is a science-fiction horror film. Life-giving water rots roofs and dissolves stone; benign sunshine reduces silk curtains to rags, bleaches wood, and cracks leather.....The curators are condemned to live on a planet where the fingertips of earthlings leave behind acid that tarnishes silver, where bronze and pewter are prone to 'diseases,' and dust can defeat a suit of medieval armor.Life is a fire. Sunlight, air, and water sustain us and destroy us. Life consumes all we wish to save."(pp. 55-57) "The curators' task is impossible: preserve all this stuff FOREVER. They are in a pitched battle with the elements.....Says Pam Hatchfield, an objects conservator at the museum. At best, you can extend the life with low humidity. 'You have to assume that objects you're using are disposable,' she says. 'No matter how much you love them.'"(pp. 57-58 )"The philosophers call it EVANESCENCE, the passing from one state to the next. Under the right conditions, ice evanescences to vapor....Evanescence is a wonderful phrase, but when I pry back a board on our old house and reach in, and the beam comes out in moist handfuls like devil's food cake, it's not evanescence, it's rot....Everythingcreated will rot eventually: the Mona Lisa, the Brooklyn Bridge....The world works to recycle itself.....Without rot, life itself is impossible. Rot probably deserves a better name....Most of life is....maintenance."(p. 276) "Ours in an age of broken connections...Restoration is renewal--and effort to mend the world--or it is not worth doing. Good restoration is a prayer, an offering. It's praise, attention paid; it revels in the glory and spirit of this life."

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